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Integrity of artistic image for writing an analysis of literary work

Integrity of artistic image for writing an analysis of literary work

Consciousness can work as a psyche, additionally the psyche as a consciousness. The prerequisites for artistic creativity, these sides are inseparably in principle as a basis. In science, we count on a consciousness that runs with essences, wanting to expel emotions and experiences. In art and literature, emotion contains thought, in thought – feeling. The image is just a synthesis of consciousness and psyche, ideas and emotions.

What’s the basis for creative creativity in literary analysis?

This is apparently the actual basis of creative creativity, which is feasible only because consciousness and psyche, being autonomous spheres, are at the time that is same linked. It is impossible to reduce steadily the image into the idea (into the objective of the ideas): we should distract ourselves from thoughts. To lessen the image to direct experience way to „not notice” the turnover regarding the psyche, being able to be fraught with idea.

Nevertheless, the integrity of this image is not just a sensually observed thought (concept). The image just isn’t yet an easy method regarding the presence of simultaneously a few principles (a system of concepts). The image is basically multivalued, it simultaneously contains several aspects. Technology can maybe not manage this. Principles reduce an object phenomenon that is( to 1 aspect, as much as one minute, intentionally abstracting from all others. Science explores phenomena analytically with subsequent synthesis, exercising most of the moments of interrelation. Art, but, thinks with regards to the definitions. More over, the existence of the sum definitions is a vital condition for the „life” associated with the artistic image. It is often impractical to determine what is the meaning that is true what’s the „more crucial” meaning.

Concept of artistic notion of literary work

Theoretically, artistic content could be paid off up to a systematic, to a logically developed system of concepts. But in practice this will be impossible, which is not essential. Our company is coping with the abyss of meanings. Also throughout the issue of the look of new semantic overtones, new deep definitions, about „self-production” of meanings in classical works. Since a work could be recognized to your end only if absolutely the rational unfolding of pictures is recognized, it may be argued that the information of a highly artistic work is an endless process.

Therefore, the image is indecomposable. Its perception can simply be holistic: as a personal experience of thought, as a sensually recognized essence. This is why the analysis that is scientific of tasks are a „double relative” cognition of artistic integrity: apart from that the inexhaustibility of definitions can’t be paid off to something, with such cognition, the adequate perception of feelings – empathy – is kept from the brackets.

The most complete perception associated with the object that is aesthetic constantly multifaceted:

  • empathy,
  • co-creation,
  • method of integrity through medical dialectical logic.

Just What provides the richness up to a work that is literary? Czytaj dalej